Uke Tunes

Uke-ifying my favourite songs


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The Candy Man, from Willy Wonka And The Chocolate Factory – Ukulele Chords

It’s been a long time since I posted a song from a musical. So today’s post is an attempt to put that right.

<songsheet>

Last night I went with a few friends to see the musical version of Charlie and the Chocolate Factory at our local theatre. Everybody – surely – knows the story, and it’s become something of a modern classic. The musical sticks faithfully to the story, and has a bunch of original songs in it. They were OK in my book, nothing particularly memorable, but the show also – very wisely – includes a number of tunes from the 1971 movie version of the story, which starred Gene Wilder. Those songs really stood out and were what made the show what it was, a testament to the genius of those originals.

Those songs were written by Leslie Bricusse (whose other credits include lyricist for Goldfinger and You Only Live Twice) and Anthony Newley, an early influence on David Bowie, and writer of – amongst other things – Nina Simone’s signature hit Feeling Good. Two songs in particular have gone on to become standards from that film – the dreamy, haunting Pure Imagination, a song that has been described as “the most beautiful song ever written for film” (I wouldn’t argue with that). And this song – The Candy Man.

As far as versions of the song go, The Candy Man has a slightly chequered history. Anthony Newley hated the version in the film, sung by Aubrey Woods (who played the sweet store owner),  appalled at the lack of commerciality in the performance, and offered to re-record it (he was denied that wish, but Newley eventually recorded it himself). Whilst I think that is a bit strong, I can see what Newley meant – it feels somewhat underperformed. The song’s reputation was resurrected, however, when Sammy Davis Jr recorded the song the following year. Giving Davis his only US chart topper (and that being despite the fact that he admitted to disliking the song, finding it too saccharine) this song has really become the definitive version of the song, and is – I think – the main reason for it’s longevity.

So here we are with the songsheet. I will admit straight upfront that there is way more going on in this song than this rather simplified version of the song suggests – there is lots of jazzy chords going on in there. But this boils it down to it’s essentials, and – most importantly – makes it very playable. Which is the point, right? So enjoy!


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A Gallimaufry of Songs

I’ve been pulling together my annual update to the UkeTunes songbook. And in the process I’ve come across a number of songsheets that I’d put together over the last twelve months for various reasons, and which haven’t made it on to this site. So I thought I’d collect them all together into a single post, in an attempt to clear the decks. Here they are – click on the song titles for the song sheets:

 

  • Andante Andante – Abba
    Another movie-inspired song, this slightly obscure Abba album track (from 1980’s Super Trouper) found its way into the Mamma Mia sequel, and as a result has had a new lease of life breathed into it.

 

 

  • I Wish – Stevie Wonder
    Another great song from a classic album, this time Stevie Wonder’s Songs In The Key Of Life. Funky.

 

 

 

 

 

 

  • The Lucky One – Alison Krauss
    A beautiful, sublime ballad from the rather lovely Alison Krauss. This was one of the first tracks that got me into country music.

 

 


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Come Alive and This Is Me, from “The Greatest Showman” [UPDATED] – Ukulele Chords

From the dark sounds of grunge to the corniest of dance-pop musicals, never let it said that you don’t get variety on these pages.

<Come Alive>  <This Is Me>

The Greatest Showman has become something of a phenomenon. A contemporary musical loosely based on the life of celebrated American showman P.T. Barnum (and, by all accounts, taking a slightly revisionist view of his character), the film opened to something of a critical mauling at the end of last year, but has seen its star slowly rise through word-of-mouth to become the most unlikely movie success of the year. Even now, 9 months after it’s release, it is still showing at cinemas around the country, with new life being breathed into it by hugely popular sing-a-long events.

Let’s be clear. This film is not subtle and is somewhat formulaic. But it is also hugely entertaining, a constant barrel of energy and exuberance, driven by a star performance from Hugh Jackman, and a supporting cast that includes Zac Efron and Michelle Williams. And a power-packed set of original songs that carry the film through to its inevitable, feel good conclusion. The soundtrack is the work of Benj Pasek and Justin Paul, who were also responsible for the Oscar-winning City Of Stars, from the slightly less feelgood La La Land.

And so to the songsheets. For Come Alive, this – like a number of the songs from the film – really needs a strong rhythmic backing to work. I’m not going to try and suggest a strumming pattern for this, but you could do worse than listen to the rhythms in the song and try and ape that. Plenty of muted strums will add to the effect – some of those are indicated in the songsheet with the [X] chord. The song also has a number of places where it breaks into acapella / clapped interludes, that again you could do worse than try and emulate. Probably best sung with a group of singers.

As for This Is Me, this is becoming something of a modern classic. The gentle start, and breakdown at the beginning of the last chorus, are worth emulating to give the song some texture. Note that some of the lyrics overlaps, particularly with the oh-oh-oh-oh’s, and along with plenty of opportunities for backing vocals and harmonies, this is probably best tried with a group of singers.

Enjoy!

<Come Alive>  <This Is Me>


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Rainbow Connection – Ukulele Chords

KermitDon’t ever let it be said that there’s no variety on this site. From 80s synthpop and soulful grooves, we now move on to a song made famous by a singing frog playing the banjo!

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Rainbow Connection, however, is not your average glove-puppet inspired tune. The work of two highly respected composers and arrangers, Paul Williams (“We’ve Only Just Begun”, “Rainy Days and Mondays”, “Evergreen (Love Theme from A Star Is Born)”) and Kenneth Ascher, the song first came to the consciousness of the world via. The Muppet Movie, where it was performed by Kermit the Frog. Performing a similar role in that film to the similarly-themed “Over The Rainbow” in The Wizard Of Oz, the song is a surprisingly wistful song that looks yearns and dreams for, and holds out the hope for, a better life. Nominated for an Academy Award (it lost out to “It Goes Like It Goes” from Norma Rae – no, me neither!) it has over the years turned into a true standard.

Subsequently reprised in The Muppet Show in 1980 as a duet with Debbie Harry, it has since gone on to be covered by a whole host of artists including The Carpenters, Sarah McLachlan, Willie Nelson, Ed Sheerhan, and my personal favourite version by The Dixie Chicks.

There are quite a few Rainbow Connection song sheets out there, so why another one? Well this was put together for when our band, The Flukes wanted to perform it (you can see/hear it below – excuse the slightly fluffed intro and solo from yours truly!), and none of the versions out there quite worked for us. So firstly this version does away with the key change, thereby avoiding a host of horrible chords! Secondly, I’ve also include (a) the opening riff, and (b) a solo for the middle, which started off based on The Dixie Chicks version, and then morphed into some kind of amalgam of a number of versions. Anyway, I think the whole thing is better picked than strummed, but that’s my opinion, and you’re free to ignore it. Enjoy!


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Feeling Good – Nina Simone – Ukulele Chords

ninasimoneOur band, The Flukes, has been starting to find its feet, and have been gradually evolving towards a preference for jazzy, bluesy, country type material. So when we were looking for new material to add to our repetoire, it didn’t take long before this 1960s classic came to the surface.

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Amazingly, this song was never released as a single back in the day, only surfacing in that format in 1994 off the back of a TV advert. Yet this is as well known and loved as anything from the Nina Simone catalogue. Written in 1964 by Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd, Simone recorded it a year later for her album. It is fair to say that it was Simone’s recording that really transformed the original and turned it into a standard that has subsequently been covered by artists as diverse as Muse, Michael Bublé and The Pussycat Dolls.

The songsheet is in the same key as the Nina Simone version. It is essentially made up of a continual loop based on G minor, with a C / D sequence thrown in during the chorus. The G minor sequence includes a G / F / Eb / D run-down on the bass – not easy to achieve on the little ukulele, but I think the chords shown here work. The Gm/D is a bit of a stretch (for me, at least) but is worth persevering with. Enjoy!