It’s been a long time since I posted a song from a musical. So today’s post is an attempt to put that right.
Last night I went with a few friends to see the musical version of Charlie and the Chocolate Factory at our local theatre. Everybody – surely – knows the story, and it’s become something of a modern classic. The musical sticks faithfully to the story, and has a bunch of original songs in it. They were OK in my book, nothing particularly memorable, but the show also – very wisely – includes a number of tunes from the 1971 movie version of the story, which starred Gene Wilder. Those songs really stood out and were what made the show what it was, a testament to the genius of those originals.
Those songs were written by Leslie Bricusse (whose other credits include lyricist for Goldfinger and You Only Live Twice) and Anthony Newley, an early influence on David Bowie, and writer of – amongst other things – Nina Simone’s signature hit Feeling Good. Two songs in particular have gone on to become standards from that film – the dreamy, haunting Pure Imagination, a song that has been described as “the most beautiful song ever written for film” (I wouldn’t argue with that). And this song – The Candy Man.
As far as versions of the song go, The Candy Man has a slightly chequered history. Anthony Newley hated the version in the film, sung by Aubrey Woods (who played the sweet store owner), appalled at the lack of commerciality in the performance, and offered to re-record it (he was denied that wish, but Newley eventually recorded it himself). Whilst I think that is a bit strong, I can see what Newley meant – it feels somewhat underperformed. The song’s reputation was resurrected, however, when Sammy Davis Jr recorded the song the following year. Giving Davis his only US chart topper (and that being despite the fact that he admitted to disliking the song, finding it too saccharine) this song has really become the definitive version of the song, and is – I think – the main reason for it’s longevity.
So here we are with the songsheet. I will admit straight upfront that there is way more going on in this song than this rather simplified version of the song suggests – there is lots of jazzy chords going on in there. But this boils it down to it’s essentials, and – most importantly – makes it very playable. Which is the point, right? So enjoy!