For Neil Hannon, who essentially *is* The Divine Comedy, is not one to be swayed by a need to be relevant or now. Since 1989 he has ploughed his own furrow, quietly establishing a body of work (12 albums, at the last count) that largely falls into the category of Chamber Pop. With a wry eye for detail, an often unusual choice of subject matter (Hannon’s collaboration with Thomas Walsh, The Duckworth Lewis Method, even included a concept album about cricket!), and a predilection for melodies, harmonies, and rich, textured, often orchestral arrangements, The Divine Comedy were never going for the big time. They *did* achieve a measure of success in the mid-to-late 90s, somehow getting themselves aligned to the Britpop movement, and singles like National Express and Something For The Weekend established themselves in the hearts of the more discerning music lover.
[As an aside, one of Hannon’s collaborations included working with Duke Special, one of my favourite’s, for who he wrote the wonderful Wanda, Darling of the Jockey Club, and for which I’ve also done a songsheet]
This year Hannon released Office Politics under The Divine Comedy banner, a double album (the bands first) that is a loose concept album based on the workplace and the role of machines and automation in it. Norman and Norma is the lead single from that album, and tells a charming, affectionate tale of an un-extraordinary couple and their relationship, from their marriage and honeymoon, through to finding post-children contentment in a Norman and Saxon battle reenactment group (I said the choices of subject matter were out of the ordinary!), it has been described in one quarter as “an affectionate song about the peculiarly British awkwardness about sex in relationships that is as good as the best of Victoria Wood but here sounds like it’s sung by Jarvis Cocker” – what is not to like there!
And so here is the songsheet for Norman and Norma. It’s a fairly straightforward song that – whilst piano-based on the original – does, I believe, itself to a ukulele-based version, in no small part aided by the somewhat whimsical subject matter. I think this is a fun little song, and you can have a lot of fun singing it. Enjoy!