Squeeze are part of a long line of British observational songwriters/bands, taking their cure in particular from the likes of The Small Faces and The Kinks, with no small debt to The Beatles. Whilst never really making it big in the US, in the late 1970s and early 1980s they were constants in the UK charts, releasing classic single after classic single, the best of which were collected together onto a fabulous compilation album in 1982 called Singles – 45s and Under, released just after the band’s first split. It’s that collection (the UK version) that is contained in this songbook.
At it’s heart, Squeeze songs were the product of a long-lasting (if sometimes fractious) songwriting partnership between Chris Difford (lyrics) and Glenn Tilbrook (music). Together with a band that included – for their first few albums – Jools Holland, Squeeze rode on the coat-tails of the late-70s New Wave scene, but were far more in the classic pop mould of their influences. Taking a particularly urban, British perspective, their songs were tightly observed vignettes of the life and characters that were part of their South London roots.
Whilst their first album, 1978’s self-titled debut, spawned a minor hit with Take Me I’m Yours, it was with 1979’s Cool For Cats that the band really broke through, scoring huge hits with the title track and Up The Junction, success that continued in the following year with Argybargy. 1981 brought arguably the bands masterpiece, the Elvis Costello-produced East Side Story, that saw the band’s sound broadening, exemplified by the country stylings of Labelled With Love (released at around the same time as Costello’s equally influenced single Good Year For The Roses). However, subsequent releases proved to be less successful, and increasing tension between Difford and Tilbrook, along with the stresses of touring, saw the band calling it a day in 1982.
This proved to be a temporary hiatus, however, and the band re-formed and extended in 1985, picking up where they left off with a series of albums that performed modestly, with the occasional breakout hit (Hourglass being the biggest). Splitting again in 1999, and then re-forming again in 2007, Squeeze continue as a fully-functioning band to this day, albeit in a somewhat more relaxed manner with the various members finding time for their own solo and side projects.
But for me, it is this collection of songs which really defining Squeeze. This is the ultimate collection of wonderful, witty, intelligent, concise songwriting that all aspiring songwriters should aspire to.
As to the songbook – well, you’ll notice that the songs get musically more sophisticated as they go on, but generally speaking these are *reasonably* straightforward songs that lend themselves well to both the ukulele and communal singing. There are one of two more challenging songs – Tempted, in particular – but nothing that won’t come with a little bit of practice. Enjoy!