Two for the price of one today. And a double-dose of the Australian songstress Olivia Newton-John, somebody who I wouldn’t be going too if I was trying to establish any critical credibility for this blog. But who I would go to it I was after some cracking pop tunes.
Actually, truth be told the roots of this post didn’t actually start with ONJ herself, but with the alternative artist Juliana Hatfield. Earlier this week I cam across an album she released earlier this year which is all Newton-John covers. Hatfield was – and remains – a big fan, and had decided to record her version of 13 of her favourite songs. Running the gamut of the obvious (these two included) to more obscure album tracks, these aren’t radical re-interpretations, but clearly demonstrate a love and a respect for the original material, albeit roughing them up a little and giving them a slightly grungy makeover.
Newton-John herself was a huge star, particularly in the US and her native Australia. Originally breaking through with a country pop sound, her role in the hugely successful movie Grease, which saw her character Sandy move from a goody-goody character to spandex-clad vixen, prompted her to undertake a similar transformation of her own image, moving towards a (relatively speaking) raunchier appearance, taking her music into more of a pop/rock direction. In 1980 that led her to star in the film Xanadu which, whilst a critical and commercial flop, did spawn a successful soundtrack which she featured prominently in, including the huge international hit which was the Jeff Lynne-penned title track, performed with Electric Light Orchestra.
The immediate follow-up album to the Xanadu soundtrack was the biggest of Newton-John’s career, spawning a series of hit singles, of which the title track was the biggest. Ten weeks at number one in the US (the longest run for any song during the 1980s), achieving a similar feat in many other countries, the song was doubtless helped by it’s tongue-in-cheek video and the very recent launch of MTV, which gave song and video massive exposure. Yes, its a little corny, and maybe somewhat of its time, but it’s still a great song, as Juliana Hatfield’s cover faithfully demonstrates.
So two song sheets for the price of one. Physical is quite a straightforward song – simple chords, simple structure – nothing really much to say for this one. Xanadu, as befits an ELO song, has a bit more going on in it, both in terms of chords and in terms of the structure / timing. But listen and play along to the originals (both are in the same key as those originals) and you’ll get the picture (although good luck on those last notes on Xanadu!).