XTC have always been one of those bands that I kind of thought I should get, but never really did. Yes, I loved those late 70s / early 80s hits like Sgt Rock, Senses Working Overtime, and Making Plans For Nigel (more of which later). But I never really got beyond that.
So I decided to put that right recently. But where to start? After bit of dithering I ended up plumping for a copy of 1986’s Skylarking, prompted in part by having recently heard one of the albums track, That’s Really Super, Supergirl, on the radio. An album that was strongly rated, critically acclaimed, but of which I knew almost nothing.
So how did it go, I hear you ask? Well, if I’m honest, first listen I was little unsure, a little non-plussed. A few songs sounded good first time, but much of it felt indistinct and uncertain. But I got the sense that this might be one of those albums you need to work at a little to really extract its riches. And so it proved to be. A few weeks later and the subtle riches of the album are beginning to worm their way into my head and heart.
For those who don’t know it, Skylarking has a more pastoral, quintessentially English sound than you might have expected if all you’ve heard is the new wave / post-punk sounds of those early hits. Produced by Todd Rundgren, it is loosely themed around various cycles in life and nature, and as a result really hangs together as a whole piece.
Grass, a song written and sung by Colin Moulding, was the lead single from the album (the flip-side, Dear God, was later to become the most well-known song from this set, a minor hit in the US), and exemplifies the mood and feel of the whole album. A song that looks back in almost bucolic terms to romantic fumbles in the summer grass, with more than a hint to doing so under the influence of that other grass (marijuana), the song captures a time and space so perfectly that for three minutes you feel yourself right there.
So here’s the song sheet. The song is actually quite a simple one, both in terms of structure and chords, and feels like it demands to be sung under a late summer evening sky, basking in the the great outdoors. I’ve included two versions, one in D and one if F, both a little easier to play than the original in E (play the first version with capo 2 if you want to play/sing along to the original. Enjoy!