Whilst I’ve published a number of songbooks over the last few months, it’s been a while since I’ve done a whole album. That’s partly because the “album” nights that we’ve been doing with Southampton Ukulele Jam have morphed into a series of themed nights (Abba, Elvis, 1979, Glam), and also – and not coincidentally – because I’ve struggled a little to think of albums that would work. There are a ton of albums that I personally would love to do, but finding something where 75%+ is relatively well known, and that works on the ukulele for a broad audience, has proven a little tricky. But today’s post does – I think – tick all those boxes.
Bridge Over Troubled Water was the final studio album recorded by the duo of Paul Simon and Art Garfunkel. The American folk-rock duo had climbed a steady road to popularity since first getting together in the late 1950s as Tom and Jerry, and during the late 1960s achieved an unparalleled level of success. Despite a sound that remained remarkably consistent over their five albums, their recordings showed a gradual evolution and increased maturity and sophistication, something which reached a peak (and ultimately conclusion) on Bridge Over Troubled Water. Whilst still clearly rooted in the folk stylings of their early records (and the live recording of the Everly Brothers classic Bye Bye Love was a clear harking back to those early years), the album demonstrated a branching out. El Condor Pasa, based on an original Peruvian song, anticipated Paul Simon’s later excursions into world music, the title track owed a strong and clear debt to the Gospel sounds that Simon was listening to at the time, and Keep The Customer Satisfied adds a full-on brass section.
Whilst the release of the album met a mixed critical response (typically it was felt to be smooth and over-produced), the public response was anything but mixed. Despite their break-up, the album topped the charts in 10 countries, was the best selling album in the world in 1970, 1971 AND 1972, and remained CBS’s best-selling record until ultimately over-taken by Michael Jackson’s Thriller in the 1980s. In the UK the album was number one for 35 weeks, and remained on the charts for 285 weeks – no self-respecting household was without a copy. 25 million copies of the album have been sold world-wide. Clearly this was a record that struck a chord with its audience, and which has continued to do so ever since.
These are songs that have become part of the musical DNA of western culture, known and loved by people across the world, many of whom are far younger than these recordings (it will be 50 years old next year), and who will have very little context of where these songs came from. In that context these songs have truly become modern folk songs – owned and loved by the people as much as they are by those who created them. Songs like The Boxer, Cecilia, Song For The Asking, El Condor Pasa and the title track are the kind of songs that feel like they have always been there, and it feels hard to conceive of a time when these songs didn’t exist.
So here is the Bridge Over Troubled Water songbook. I’ll be upfront – despite their apparent simplicity, some of these songs aren’t necessarily as straightforward as they sound. The relatively less well-known So Long, Frank Lloyd Wright is the most obvious example of that, but others have their moments. That said, with a bunch of songs as wonderful and well-known as these, it’s hard to go too far wrong. Most of the songs I’ve ended up transposing from their original keys to ensure they are an easier set of chords. I’m not claiming that these are 100% correct, so any feedback on corrections, improvements, etc. appreciated. But most of all, enjoy!