OMD (or Orchestral Manoeuvres In The Dark, or Orchestral Manoeuvres as the sleeve for this song described them) had always straddled the line between experimentation and commerciality. Sometimes they went further in one direction than the other, but they are arguably at their best we they manage to hold those two tendancies in tension. As an album, 1981’s Architecture and Morality could be seen as a career highlight in achieving that, birthing three hit singles, hit still with enough elements of outright weirdness and oddity to make it interesting.
Two of those three singles focussed on the French heroine Joan of Arc (nicknamed Maid of Orleans, the title of the second such song). Having been in receipt of many religious visions in her early years, Joan was famed for her role in influencing the outcome of battles with the English in the 15th Century. She was ultimately handed over for trial and burnt at the stake at the age of 19, but it was not until the early 19th century that she was declared a national symbol, and not until the early 20th century that she was made a saint.
So it’s just a simple three-chord song, chorus-less but with a bridge-like interlude before the final verse. The original is unaccompanied (just a drum machine) at the beginning, but I’ve chorded it. Works both strummed or picked. Enjoy!