Uke Tunes

Uke-ifying my favourite songs


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Rio – Duran Duran (Full Album)

Never let it be said that you don’t get variety here! From the acoustic loveliness and down-home earthiness of the last post, here we are with what could be seen as the archetypal surface-and-sheen of vacuous 80s pop – all style, glamour and no substance.

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And whilst there is some truth in those accusations, the reality – as ever – is more complex. Emerging out of the nascent new romantic scene in (decidedly unromantic) Birmingham, Duran Duran (the name taken from a character in the cult classic 1968 sci-fi film, Barbarella) were effectively the house band for the city’s Rum Runner nightclub. From the outset, the notion of the band was to combine the sounds and ethos of disco and punk, equal parts Sex Pistols, Blondie, Gary Numan and Chic, and to be huge. There was no hiding that ambition, and for a group of lads growing up in late 70s urban Britain, the idea of becoming the biggest pop band on the planet, of being able to travel the world and partake in the glamorous jet-set lifestyle made perfect sense.

So whilst Duran Duran struck gold with their first album (spawning the hits Planet Earth and Girls On Film), it was 1982’s Rio that launched them into the stratosphere. With three huge singles accompanied by the infamous exotic videos (Hungry Like The Wolf, Rio and Save A Prayer), the band were perfectly positioned to capitalise on the musical revolution that was ushered in by MTV.

But this was pop with a twist. Not only were the band self-made – growing organically from the local music scene – and writers of their own material, the band managed create a unique amalgam of styles that took somewhat underground influences and art-rock influences (Japan, Roxy Music and David Bowie) and fashioned them into a mainstream phenomena that had teenage girls in paroxysms. In times when pop bands are just expected to be focus-grouped conceptions of marketing departments, performing material from the same bunch of face-less songwriting teams that is aimed at the same narrow commercial radio playlists, it is easy to forget that this wasn’t always the way things were. And for all their faults, Duran Duran were more intelligent than that, spikier than that, and certainly more capable and original as musicians than that.

It may be the big singles that Rio is remembered for. And rightly so. But dig beyond that and there are gems a plenty. Whether it be the post-punk funk of New Religion, the Voltaire-citing Last Chance On The Stairway, or the stately, cryptic, arpeggiated closer that is The Chauffeur (I’m not seeing any boy band getting away with a video like this today) this is a band at arguably both their commercial and artistic peak.

And so here we are with the songbook. The full album, all nine tracks, when you strip the production away these are for the most part great songs. All of these are in the same key as the originals, so playing along is possible (and to be encouraged). Shoulder pads and yachts are optional. Enjoy!

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Save A Prayer – Duran Duran

Save A PrayerThings don’t come more 80’s than this. With its exotically located video and its synthpop stylings, for some this is the cliched 80s song – a vapid triumph of style over content. Yet whilst that might be true of some music and bands from the period, I would argue it is an unfair slight on this band. Yes, they did – for a while – become the screaming female band of choice, there was always more to them that that.

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Coming from a late-70s Birmingham art school scene, strongly influenced by the likes of David Bowie and Roxy Music, Duran Duran were, alongside the likes of Spandau Ballet and Visage, a key part of the early 80s New Romantic scene thatĀ – in itsĀ strong emphasis on image and glamour – was both a reaction to and inspire by the spirit of punk. Whilst they had a good level of success with their first album, it was with their second album, Rio, that the band really hit the big time. Featuring a clutch of hit singles, including Hungry Like The Wolf, the title track Rio, My Own Way and this (the most successful of the bunch) it launched the band into the big time, and with the accompanying videos (filmed in the likes of Sri Lanka and Antigua) capturing something of the aspirational spirit of the age turned then into an iconic representation of that time.

But underneath all that there were good songs. And Save A Prayer is nothing if not a good song. More thoughtful and wistful than some of their more poppy moments, this is an accessible and yearning ballad that, whilst being immediately redolent of the age – at least for those who remember it – is also a timeless pop moment.

And so to the song sheet. I’ve tried to reflect the original recording as much as possible. Chords are relatively straightforward, and the rhythm is – I think – quite easy to pick up from listening to the original. I’ve also included some solo parts – the arpeggio and riff from the opening, parts of which are repeated throughout the song, plus a riff that occurs during the chorus. Obviously you can totally ignore those if you wish and just stick to the chords.

Enjoy!

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