Uke Tunes

Uke-ifying my favourite songs


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I’m Free – The Rolling Stones / The Soup Dragons

Lets be honest, this one is here because of The Soup Dragons cover, not because of The Rolling Stones original. That’s not to say that I have any kind of aversion to the sixties original, its just that it had never entered my consciousness before the Madchester-inspired cover.

<Rolling Stones songsheet> <Soup Dragons songsheet>

“I’m Free” is a relatively early Jagger/Richard composition from 1965 that first appeared as the closing track on the band’s Out Of Our Heads album, and the b-side of Get Off My Cloud. Ranked number 78 in Rolling Stone magazines top 100 Rolling Stones songs, I’m Free shuffles along with echoes of The Byrds jangley folk-rock sound.

In a similar way, The Soup Dragons 1990 cover was inspired by a popular rock sound of the day, this time the Madchester/Baggy rock/dance hybrid sound that was everywhere at the time through the music of The Stone Roses, The Charlatans, and others. This version definitely grooves more than the original version, fleshes out with liberal doses of wah-wah, takes a few liberties with the lyrics and throws in a rap courtesy of  Jamaican reggae and dancehall star Junior Reid – whether that adds or subtracts from the record depends on your preference for that sort of thing. The song gave the band their only sizeable hit, one that has become a staple of compilation albums of that period.

So here’s the songsheets. I’ve done two versions, one for The Rolling Stones version (in C), and one for The Soup Dragons version (in E). However, they’re not just the same sheet with different chords, I’ve tried to reflect the arrangements, lyrics, etc. of the two different versions. Even down to the rap in The Soup Dragons version – try it if you dare!  Enjoy!

<Rolling Stones songsheet> <Soup Dragons songsheet>

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The Only One I Know – The Charlatans

The house / rave / dance music scene that emerged in the late 1980s passed me by, I’m afraid. I’m guessing that it all made much more sense in a throbbing night club, probably enhanced by various substances, but it wasn’t for me.

<songsheet>

Some of the more mainstream crossover tracks I did like (808 States’s Pacific State I love, and I was quite partial to The Beloved), but as much as I like a groove I do also like a good tune, and that wasn’t really what the dance culture was all about. However, what did float by boat much more was the so-called Madchester scene – effectively an alternative rock sound merged with the culture of rave, creating a brace of classic indie-dance tracks. Artists such as Happy Mondays, The Stone Roses, Inspiral Carpets and James all had a life before Madchester, but gradually came to represent the so-called “baggy” scene, even if that was a media and record-company hyped one.

Whilst getting lumped under the Madchester label, The Charlatans actually hailed from Birmingham. The Only One I Know was only the band’s second single, but at the height of the baggy phenomenon gave them a top 10 success, something they were unable to repeat until the height of Britpop in the mid-90s. Underpinned by the classic funky shuffling beat, propelled by an insistent bass riff, wah-wah guitars and overlaid with that distinctive organ sound, this song is a classic of its time – of any time – guaranteed to fill the floor at the Indie disco.

So baggy on the ukuele? Well why not (SUJ are currently working on Primal Scream’s Moving On Up, another classic of the time, and I think it will work). This is a song that definitely needs you to get into that groove – it’s all about the rhythm – and that’s best done by playing along to the original (above) – the song sheet is in the same key. Other than that there’s not a lot to say. Just enjoy!