If anybody is band of the moment it has to be Fontaines D.C. The hype for this group of Dublin post-punk-ers has been building and building over the last few months, and with the release of their debut album Dogrel yesterday that is likely to amplify. And deservedly so, in my book.
Fontaines D.C. are not for the feint-hearted. There music is a full-on assault – clattering drums, punching bass and take-no-prisoners guitars, topped with the full-on Irish brogue of lead man Grian Chatten. That voice is truly Grian’s own – it’s not going to win any competitions, but in the context of this band it is just what is needed. Drawing on Ireland’s long literary heritage, this is serious music that doesn’t shirk from the gritty reality of life as it is now – as one of their other songs taunts, “Is it too real for ya?”.
But for all their reputation as pummelling, aggressive noiseniks, Dogrel show’s there is more to the band than that. Roy’s Tune is a case in point – a poignant reflection on how the behaviour of giant corporations can impact on the lives of ordinary people. Guitarist and writer of the song, Conor Curley, had this to say about the song:
It’s sung to Ireland – from a mindset of frustration, depression, and a loss of innocence… A couple years back the EU awarded Ireland €14 billion in back taxes from Apple, but the government here refuses to do anything with the money out of fear Apple will move their headquarters. They care more about a giant corporation than the people of our country, and all we can do is sit there and take it. We wanted this to be a moment of reflection on the album. We included this song with the purpose of showing our intent as a band and as songwriters. We intend to explore whatever emotions or ideas we see, not just make ‘another post-punk album’.
Oh, and do watch the video (below). It’s great, and really enhances the song.
As with many of the band’s songs, their is simplicity at the heart. The song is – at surface level – very basic, really only two chords. But there is a power and focus at the heart of the song that gives it its strength. Essentially it’s the same pattern repeated throughout the song, so once you get that (spelled out in the intro in the song sheet) you’ll have it. I’ve included two versions – one in the original key, and one transposed down to make it easier to play (removing those horrible E’s and B’s!). This is a song that deserves to be sung. Enjoy!