Joni Mitchell recently turned 75, something that was celebrated with the help of an all-star concert. Mitchell herself wasn’t present, and has been something of a recluse of late, in no small part due to a number of health scares. She is unlikely to perform or record again, but my goodness what a legacy she has left us.
Emerging from a Canadian coffee-house scene in the mid-1960s, she moved to the US where she was eventually spotted by David Crosby, and started releasing a series of intimate, confessional acoustic albums. Songs like Big Yellow Taxi and Woodstock became anthems for a generation (the latter notable because she never actually made it the festival!), and in 1971 she turned in the album which really defined the term singer-songwriter, and which has become the litnus against which all subsequent albums in that genre, particularly female-fronted, will be compared. Described by the New York Times as one of the “turning points and pinnacles in 20th-century popular music”, the album is a no-holds barred portrayal of Joni’s relationships (she had relationships with both Graham Nash and James Taylor prior to this record) that is startling in its honesty.
River, taken from Blue, has become one of Mitchell’s most recorded songs. Whether you class it as a Christmas song or not (it is set around that period, but isn’t really about Christmas, although the piano accompaniment does reference Jingle Bells), it has become something of a discerningly alternative Christmas standard (listen to this fabulous BBC Radio 4 documentary of personal stories related to the song). Somewhat surprising given that the song is a rueful song about a broken romance, the singer reflecting on what was, desperately wanting to escape the heartbreak.
So here is the songsheet. Joni Mitchell is famous for her alternative tunings and complex song structures. Fortunately this song is *relatively* straightforward (for a Joni song!), albeit it was originally written and performed on piano. I’ve added a few additional chords into the sheet to try and imitate aspects of the original piano accompaniment, and tried to replicate the ‘Jingle Bells’ references (including an optional, more complex intro). I’ve also done two versions of the song – one simplified version, and one that fleshes the song out with a few more complex chords and rhythms, The choice is yours, but enjoy either!