Thompson Twins were a strange one. Originally formed in the late 1970s as a somewhat anarchic and ramshackle collective, it took a deliberate change of direction off the back of the early 80s synthpop book for them to both shed their street-cred and to finally achieve success – huge success.
Anybody coming to early Thompson Twins off the back of their huge pop success in the mid-80s is probably in for something of a shock. Strongly influenced by a lot of the post-punk sounds of the era, there’s scratchy guitar and world-music-inspired percussion all over this, reflecting the diverse nature of a 7-piece line-up. The band recorded a couple of albums in this mode – 1981’s “A Product Of… “, and 1982’s “Set” – but it was in the opening track of the latter, a synth-heavy song called “In The Name Of Love“, that the seeds of the bands evolution were sown. The song was a huge hit in US clubs, and off the back of this a core set of the band – founder member Tom Currie, and percussionists Alannah Currie and Joe Leeway – broke away to form a new incarnation of the band. Their first fruits materialised as 1983’s Quick Step and Side Kick, which finally brought commercial success in the UK (including the hit single Love On Your Side). But it was that albums follow up, 1984’s Into The Gap, which finally broke the band world-wide, particularly in the US.
“Hold Me Now” was the first single from that album, and the first song to break through, top 10 across much of Europe, peaking at number 3 in the US. It’s a deceptively simple ballad, full of melancholy and longing, that gradually builds to a a final sustained, repeated choruses with soaring falsetto vocals overlaid. In many ways its a world away from those early sounds, and may seem to some a trite and corny commercial land-grab, but taken at face value is a lovely, enduring slice of sing-along pop.
And now for the songsheet. Basically the song is a simple repeated chord sequence all the way through (verse and chorus) of D / Bm / C / Asus4. I’e added a few optional “grace” chords in to the chorus – these are entirely optional, and the song doesn’t lose anything by not including them, but to my ears they do add something. Other than that just play away, and enjoy!