I’m not great at keeping up with new music. But come December I’m often scouring and sampling the end-of-year best album lists to see what’s gone down well, and what might appeal. Let somebody else sort the wheat from the chaff, I figure.
So it was whilst doing that at the end of last year that I came across an album that was consistently in the upper echelons of those lists, at least in the Country music variety, and sounded up my street. One play through the album and I was hooked. Many, many plays later and I regard it, and it’s immediate predecessor, as stone-cold classics of heartfelt, intelligent, incisive songwriting, coupled to performances that are sheer class. The album is Big Day In A Small Town. The artist is Brandy Clark.
Clark has been around Nashville for years, penning songs that have been recorded by the likes of Reba McEntire, Miranda Lambert, LeAnne Rimes and Kasey Musgraves, but it wasn’t until 2013 that she was able to record 12 Songs, her first collection of her own material. Critically lauded at the time, and hitting high in many of those end-of-year lists, 12 Songs did no more nor less than what it said on the tin. But what a collection of songs! Taking its cue from many of country music’s tried and tested themes, Clark treads a fine line between cliche and genuine insight, showing a real heart for the people of small-town america, without succumbing to some of the more reactionary viewpoints that can be associated with that.
Three years later she followed 12 Songs up with what is – in my mind – an even more impressive collection of songs. Again, doing what it says on the tin, Big Day In A Small Town is loosely themed around the ups and downs of life in such a small town. In that context (or indeed, any context) Homecoming Queen is a highlight, a poignant tale that looks back on how the life of a woman didn’t quite match the expectations that she might have had for herself when she finished high school. It’s a beautiful and heartbreaking song, one that is full of humanity and compassion, and one that I’m sure everybody can relate to at some level.
The song was originally recorded by Sheryl Crow on her Feels Like Home album. Whilst it’s good, I prefer Clark’s version, which you can hear below, or alternatively listen to this stripped back acoustic version.
So here’s the song sheet. As with most country songs, there’s nothing too complicated here. I’ve thrown in a few little flourishes – the F4 in the intros and interludes that kind-of approximates to the original, and the C7s leading into the chorus, which are certainly optional and down to preferences. This is a great song (have I said that already!) so enjoy.