But when they emerged in the mid-1980s, the self-styled “fourth best band in Hull” were a breath of fresh-air. Not exactly original in their music (their is undoubtedly a debt to the likes of The Smiths, Aztec Camera and the contemporary “jangle” indie pop sound) they nevertheless delivered a sound and an attitude that cut through some of the po-faced posturing of the time (they also had a love of acapella singing, something that often came out on b-sides). And whilst they were certainly very politically aware, something that would often spill into their songs, they were also no afraid to send themselves up.
Happy Hour was their breakthrough single. As was fairly typical of the band, the bouncy sound of the song was something of a contrast to the lyrical content of the song, which addressed the hypocrisy and sexism of young British males, particularly what was perceived to be the office culture of the time. The song peaked high in the charts (number 3), only bettered for them by their Christmas-time accapella version of Caravan Of Love.
So here’s the songsheet. I’ve kept this in the same key as the original. Whilst that means its not the most straightforward chords, I don’t think there is anything too tricky in here that justifies transposing it. Essentially it’s the same chord sequence all the way through – make sure you give it a bouncy, choppy rhythm all the way through.