As with a previous post, this one takes us back to their second (and final) album, 1981’s Wilder. Their first album, the previous year’s Kilimanjaro, had a classic post-punk, 60s-garage-band-inspired, psychedelic-influenced scratchy sound, but was also strong on melody, tunes, and threw in a bit of brass to give it a real kick. Wilder, on the other hand, was an altogether more colourful, eclectic, experimental collection, and clearly one where the drug influences (Cope and the band were on a real long rock-and-roll bender by this time) shine through. From the sunshine-pop of Passionate Friend (all ba-ba-bas and horns) to the clipped funkiness of The Culture Bunker and the psychedelic wanderings of Like Leila Khaled Said, this is a more varied and rambling album than its predecessor, and one which – from my perspective – is all the richer because of that.
The Great Dominions is one of a clutch of slower songs on the album (Tiny Children and …and the fighting takes over being the others) that – in my mind – turn this into a classic. I haven’t a clue what it’s all about – I’m not really sure that Julian had much of an idea either, given the amount of drugs he was consuming at the time (“I’m still stuck in this pickle jar on a paper carpet” anyone?!) – but for all that it is a beautiful and touching hymn that suggests a yearning for lost innocence.
I couldn’t find any chords anywhere for this lovely song, so I’m hoping that what I’ve transcribed works OK. Personally I think it transfers well to the ukulele, but then I would. Nothing tricksy here – it’s just a continuing D / C / G chord loop – and the tune is almost nursery-rhyme like in its simplicity and innocence. Enjoy!