To my shame, this is a song that I wasn’t even consciously aware of until about a month ago. I first came across via. Massive Attack’s cover on their Blue Lines album, and whilst checking that out online for the chords came across this – the original – on YouTube, and was hooked. The hypnotic trance-like groove just sucks you in and suddenly you’re in another world where the concept of time dissappears – I could (and have) listened to this over and over again.
Despite the song being huge in the US (it was only a minor hit here in the UK) William DeVaughn, who wrote and sung the song (it’s often mistakenly credited to Curtis Mayfield) wasn’t able to capitalise on its success, despite a first-rate album to accompany the song. That may have had something to do with his preaching and admonishing of the audience during gigs (DeVaughn was a Jehovah’s Witness when the song was written), and eventually he walked away from the music business, with occassical sporadic re-appearances.
None of that, however, detracts from the quality of *this* song. Recorded with the legendary MFSB, responsible for the Philly sound that was the foundation of the success of the likes of Harold Melvin & the Blue Notes, The O’Jays, and The Stylistics, the song is essentially one long laid-back groove, over which DeVaughn’s silky vocal intones a (preobably religiously influenced) paean that acknowledges that, despite what you don’t have, there is still plenty to be thankful for.
So this on the ukulele. Hell, why not! It’s only two chords, after all. It *is* about the groove, and that’s not easy to teach, let alone describe. Listen to the song, particularly where it’s in instrumental mode, you can clearly hear the guitar chopping away, just put it on a loop and play along – over time you’ll get it. Despite the fact that it’s only two chords, those are best played – as indicated on the sheet – as barre chords on the 9th and 7th frets. That way you can really get that choppy rhythm working. I’ve also included a brief little riff that you can play over those chords as well. Again, listen to the original and you’ll work it out. This one is all about feel.