A couple of days ago I finally got round to sitting down and watching the recent documentary on BBC4 about Blondie’s Parallel Lines. It’s worth seeing (watch it here), and re-ignitied my often dormant fantasy of trying to do a ukulele-based full-album show featuring Parallel Lines, in sequence! I don’t suppose that will ever come to fruition, but it did prompt me to have a go at this song, the second track from this album I’ve posted on here (see the previous post of Picture This). Surprisingly I couldn’t find a ukulele sheet for this song (that wasn’t polluted by 1D!) so here is one.
It’s a mark of just how much a classic Parallel Lines is, that even an album track such as this is so well known. I’m not even going to entertain the notion that this is due to the ghastly One Direction mash-up with Teenage Kicks (it’s appearance in the Rugrats movie gives it more credibility than that!). One Way Or Another is a classic of the Debbie Harry “attitude” school, spat out with the venom of a (presumably somewhat agrieved) stalker who’s going to see ya / meetcha / getcha / trick ya. You really wouldn’t want to be on the receiving end of that treatment. There’s an interesting segment in that documentary (starting at 4:31) on the song, it’s genesis and recording.
So here’s the song sheet. For what might come across as a simple song there’s a lot of chords, but nothing too tricksy as long as you’re comfortable with barre chords. I’ve shown the chords as barre chords on the songsheet as they do work better that way, so if you can play them like that do. And if you can’t, practice! I found the little runs in the verse from D/C#/C/B and back again need a bit of concentration to get the timing right (it’s quite quick). The strumming pattern is something you need to listen to the original for, particularly in the verse where a nice bit of damping and scratching of the strings with the left hand gives it that chunky feel (see http://en.wikipedia.org/wiki/Damping_(music) – I had to look the terms up!). As ever, listen and play along to the original to get the overall feel and timing (it’s in the same key). And enjoy!