So here’s a clasic example of one of the reasons I started putting this blog together in the first place. This is hardly an obscure song. In fact I think the word “classic” is not really open to debate on this one. And yet could I find a decent, clear, consistent set of chords for it? No, I couldn’t. Probably there is one lurking out there, and probably I’m being a bit fussy, but here’s my take anyway.
Wikipedia starts its entry for this by saying that “I Shall Be Released” is a 1967 song written by Bob Dylan. Well, that’s factually correct, I’ll give them that, but it all seems a bit terse for what is such a sublime song. The song has a real gospel influence to it, both in the musical structure of the song and in its lyrics, which combine themes of religious redemption with that of a man unjustly prisoned, looking forward to his release. There’s some heavy existential stuff going on in this song, yet as with much of Dylan’s material it’s not quite as simple and explicit as it might be in lesser hands, and leaves itself open to all manner of interpretations.
The song was originally released in a version by The Band, who had acted as Dylan’s backing band on those infamous folk-goes-electric gigs. The keening, falsetto harmonies of that version give it an otherwordly feel that are echoed on the original Dylan version, later released on The Bootleg tape series. The song has since been extensively covered, with notable versions being made by the likes of Nina Simone and reggae band The Heptones, who lent it a lovely chugging rhythm, something repeated on one of my favourite versions by Beth Rowley.
I couldn’t find a Youtube clip of the original Dylan version (try the Beth Rowley version for one in the same key as Dylan and the songsheet, or this Spotify link), but meanwhile here’s the classic version from The Band’s farewell concert, The Last Waltz. Featuring the massed ranks of Bob Dylan, Ringo Starr, Ronnie Wood, Joni Mitchell, Neil Young, Neil Diamond, Ronnie Hawkins and Van Morrison – my what a concert that must have been!
And so here’s the song sheet. Nothing much to say about it, it’s a very simple song (three chords) with endless room for variation and improvisation. This is in the same key as the Dylan original. Enjoy!