It’s the mid-80s, and the phenomenon that is Frankie Goes To Hollywood is everywhere. This isn’t a time for subtlety – Frankie reflect the times and are big, loud and brash. Relax, Two Tribes, even the ballad The Power Of Love are not exactly wallflowers. Thanks to Trevor Horn’s everything-including-the-kitchen-sink production these songs are huge, in-your-face efforts that are reinvented each week with a new re-mix and new pseudo-intellectual posturingfrom Paul Morely. This isn’t necessarily bad – I like these records, Two Tribes in particular is wonderful, and the whole Frankie thing certainlty made for colourful times.
The label that Frankie emerged on, ZTT, was the brainchild of Morley, Horn and Jill Sinclair, and was hugely distinctive in both its music (Horn’s production fingers were all over it) and in the way it presented the music. Amongst the roster of other artist on the label at the time was the German synthpop group Propaganda. In it’s original incarnation the band only managed a single album, 1985’s A Secret Wish. But what an album that was. More musically capable and coherent than Frankie Goes To Hollywood, this was definitely a ZTT record, but had much more of an experimental European sound to it.
Duel was a single from that album, and gave the band their only Top Of The Pop performance. It was by far their most poppy effort, although alternative version Jewel is a far a more aggressive, industrial style take on the same song, at times unrecognisable compared to the original (there is also a remix version which combines the two).
Ultimately Propaganda suffered from the huge success of Frankie Goes To Hollywood, which diverted effort and resources away from promoting them, and so seem to languish in the twilight world of 80s almost-made-its. That is a shame, because for a short time at least Propoganda had something original and exciting to offer.
And this on ukulele? Well why not! As I said earlier, this is probably Propaganda at their most popy and tuneful, so it really is a good sing-a-long. The song comes with quite a few chords, one or two not too common, but nothing too tricky. Probably best to forget that huge Trevor Horn production and trim it back to the basics of the tune, and there you’ll find something very lovely. Enjoy!